The world is a small place for old Herr Senft in his little garden house, and now that he has lost his dog and last companion, it's a solitary existence as well. Chance brings a young Afghan into his house, and in just a few hours it is transformed for both men into the cave of the Cyclops, with no escape for either. NOBADI, Karl Markovics's darkest story to date, focusses on the fragility of identity, the legacy of failure to act and the chances of the present moment.

An old man and a young refugee – they couldn’t have less in common – meet by pure chance and get inextricably tied together. In his third feature film, his darkest one to date, Karl Markovics explores the fatal connections between identity and existence. NOBADI will make its first appearance on screen at  the 44^th TORONTO IFF, celebrating its world premiere in the Contemporary World Cinema section.

Views from Toronto: NOBADI reveals itself to be a work both slyly profound and oddly entertaining, challenging assumptions right up until the final frame, wrote Redmond Bacon in his review on Goomba Stomp. And there is still more.