Markus Schleinzer’s supremely assured second feature is, in its own way, as profoundly uncomfortable as his 2011 debut, Michael;
(...) Inspired by the life of Viennese ‘Court Moor’ Angelo Soliman, ANGELO is a mesmerising portrait of a man of quiet dignity whose very humanity is denied by those around.
...the elegance of this picture, the thing that elevates it to a genuinely arresting arthouse
must-watch, comes with the unexpected, unshowy introduction of contemporary elements into
two key scenes.
Wendy Ide, Screen International
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