Nobadi reveals itself to be a work both slyly profound and oddly entertaining, challenging assumptions right up until the final frame.
Nobadi rebukes a feel-good narrative in favour of something far harsher.
Redmond Bacon, Goomba Stomp
Nobadi‘s true pleasuresif I can use that wordare found in how carefully Markovics dances around (...) expectations before exploding
his film well beyond its modern-day political framing.
His script may create stock characters, yet it sets them on a course that feels anything but.
Daniel Reynolds of BriefTake gives him 4/5 stars
You don't know Nobadi, but you should definitely change that.
Evan Saathioff, Birth Movies Death