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The latest documentary from Oscar-nominated director Hubert Sauper is an immersive portrait of “utopian” Cuba and its resilient people a century after the explosion of the USS Maine in Havana, the event that ushered in the American Empire alongside a modern form of world conquest: cinema itself.
|Language spoken:||Spanish, English|
|Producers:||Gabriele Kranzelbinder, Paolo Calamita, Barbara Pichler, Daniel Marquet, Martin Marquet|
January 24, 2020Park City (Sundance Film Festival, World Cinema Documentary Competition)
|Awards (selection):||World Cinema Grand Jury Prize Documentary (Park City), Main Onion Award (Skopje), Vienna Film Prize (Vienna/Viennale), Best Editing (Graz/Diagonale), Best Cinematography of a Documentary Film (Schwerin), Feature Award (Villach/K3 Film Festival)|
Sundance 2020: a direct hit into the epicenter
EPICENTRO, the new documentary by Hubert Sauper, has been selected to be part of the World Cinema Documentary Competition by the 2020 Sundance Festival (January 23 to February 2). ONCE UPON A TIME IN VENEZUELA by Anabel Rodríguez Ríos, produced by Austrian producer Sepp R. Brudermann as a co-production between Venezuela, the UK, Brazil and Austria, is also among the 12 entries of the Sundance documentary contest.
The Hollywood Reporter on EPICENTRO: «As aromatic as a cohiba cigar.»
«(…) a film that weaves together vérité footage with voiceover philosophizing from Sauper himself and clips from an assortment of archive footage. In another filmmaker's hands, this might have become a message-heavy morass, but Sauper and his co-editor, veteran Yves Deschamps work the material with a remarkable fluidity and gracefulness that's consistently engaging and surprising», wrote Leslie Felperin on EPICENTRO, Hubert Sauper’s tender portrait of Cuba and winner of the Sundance World Cinema Documentary Prize.
«It’s a concoction like no other.»
Hubert Sauper‘s films are voyages of discovery in the global present. While he exposed the networks rooted in colonialism from an African perspective in Darwin’s Nightmare and We Come as Friends, he has adopted a new focus in EPICENTRO. His new film is a multi-faceted essayist encounter with the Caribbean island of Cuba. In it the filmmaker explores the historical background to the many connotations surrounding power and longing here, a story which proceeds in a spiral of liberation and conquest. A dynamic which is driven in no small part by the powerful medium of cinema itself.
Austrian films sweep 3 awards at SCHWERIN Filmkunstfest
A remarkable closing ceremony for Austrian filmmakers at the Filmkunstfest Mecklenburg Vorpommern in the German town of Schwerin with no less than three awards: David Clay Diaz garnered the Flying Ox Award for best feature film for his directorial debut ME, WE Arash T. Riahi followed with the LEO Children & Youth Film Award for OSKAR & LILLI and Hubert Sauper’s EPICENTRO took the prize for Best Cinematography.