AFC Austrian Films
1070 Vienna, Austria
tel.: +43 1 526 33 23
fax: +43 1 526 68 01
Empress Elizabeth of Austria is idolized for her beauty and renowned for inspiring fashion trends. But in 1877, ‘Sisi’ celebrates her 40th birthday and must fight to maintain her public image by lacing her corset tighter and tighter. While Elizabeth’s role has been reduced against her wishes to purely performative, her hunger for knowledge and zest for life makes her more and more restless in Vienna. She travels to England and Hungary, visiting former lovers and political allies, seeking the excitement and purpose of her youth. With a future of strictly ceremonial duties laid out in front of her, Elizabeth rebels against the hyperbolised image of herself and comes up with a plan to protect her legacy.
|Language spoken:||German, French, English, Hungarian|
|Key cast:||Vicky Krieps, Katharina Lorenz, Florian Teichtmeister, Jeanne Werner, Manuel Rubey|
|Producers:||Alexander Glehr, Johanna Scherz, Bernard Michaux, Janine Jackowski, Jonas Dornbach, Maren Ade, Jean-Christophe Reymond|
May 20, 2022Cannes (Un Certain Regard)
Film AG Produktions GmbH
tel:+43 1 478 71 70
WithSamsa Film (LUX), Komplizen Film (DE), Kazak Productions (FR)
Marie Kreutzer’s CORSAGE at Cannes
We’re so thrilled that Marie Kreutzer’s film is part of the prestigious Cannes Sélection Officielle and celebrates its world premiere at Un Certain Regard. CORSAGE, starring Vicky Krieps in the role of Austrian empress Elisabeth, was produced by Austrian Film AG in co-production with Samsa Film (LUX), Komplizen Film (D) and Kazak Productions (F). International sales are handled by: MK2
«She becomes increasingly furious with her own image.»
Some historical sources put the figure at 45 cm. Apparently a tape measure would only have to be that long to completely encompass the waist of the Habsburg Empress Elizabeth. However, if the legendary beauty had difficulty breathing at the imperial court in Vienna it was due not only to her extremely tight-laced corset but also to the attitudes and conventions which permitted the Emperor’s wife no other function than to be a beautiful appendage at his side. Marie Kreutzer focuses on Elisabeth’s 40th birthday as a turning point which prompts her to withdraw gradually from this suffocating confinement. In CORSAGE she creates a portrait of a woman whose potential goes far beyond the limitations of the period.
«She was an influencer of the late 19th century.»
The demands placed upon the Costume Department of CORSAGE were twofold in nature. Alongside the task of creating the gowns worn by Elisabeth and her entourage they also faced the perhaps greater challenge of creating efficient and wearable corsets to go underneath the fine material, to reproduce the astonishing waist measurements of the Habsburg empress. Interesting insights provided by Costume Designer Monika Buttinger.