«It really was a risk.»
Elsa Kremser, Levin Peter
Misha's skin is covered with tattoos, while Masha's is light, fragile, almost translucent. In his work, he encounters
death every day: the human body at the end of its existence. She corresponds to a current concept of ideal beauty and is in
considerable demand as a model. Over a long process, Elsa Kremser and Levin Peter have engaged with the seemingly irreconcilable
realities of their protagonists' lives. In WHITE SNAIL, they have created a contrast of almost haptic proportions between
perfection and decay, and thus – in association with the most varied locations – preparing the ground for tentative steps
towards rapprochement.