AUSTRIAN FILMS - TEXT ARCHIVE

Oscars 2022: GREAT FREEDOM is the Austrian candidate for Best International Feature Film

The Cannes winner (Jury Prize Un Certain Regard) GREAT FREEDOM by Sebastian Meise has been selected to enter the 2022 Oscar race for Best International Feature Film. Since its world premiere at Cannes the film has been collecting award after award on a dense festival circuit. It is part of the pre-selection for the European Film Award 2021 and will be released in the US by MUBI in early 2022.

Farewell, Ursula Wolschlager

We’re immensely saddened and shocked to learn about the passing of Ursula Wolschlager, a prolific and committed producer, a passionate story developer and a visionary fighter for diversity and feminism long before these issues have gained their current importance.

INTERVIEW

«Das Tolle an Stefanie ist, dass sie niemanden gleichgültig lässt.»

Sabine Hiebler, Gerhard Ertl

SARGNAGEL – DER FILM hat eine längere Geschichte. Sie begann mit dem Wunsch des Regieduos Hiebler/Ertl, eine Komödie zu schreiben und der Entdeckung von Stefanie Sargnagels Roman Fitness. Auf die Adaptierung dieses ersten Romans folgte auch die des nächsten, dazu kamen Finanzierungsabsagen, Überarbeitungen, Neuanfänge. Irgendwann Stoff genug, um aus der Entstehung eines Films einen Film zu machen mit Schauspieler:innen, die andere oder sich selbst verkörpern, Laien, die eine Rolle spielen und Stefanie Sargnagel, die mehr oder weniger fiktional eine Version von sich selbst darstellt.

INTERVIEW

«Mutterschaft stand für sie nie in Frage»

Lukas Ladner

Schon mit 20 war er da, dieser starke Wunsch Mutter zu werden. Mit Anfang 30 beschließt Eva-Maria, die seit ihrer Kindheit auf einen Rollstuhl angewiesen ist, mithilfe einer Samenspende ihr Glück zu versuchen. Der Filmemacher Lukas Ladner war zu diesem Zeitpunkt ihr persönlicher Assistent und brachte seine Kamera ein, um in seinem Dokumentarfilm EVA-MARIA einen intimen Schritt in seiner gesellschaftlichen Bedeutung festzuhalten und dabei das Portrait einer hellsichtigen und lebensfrohen Persönlichkeit zu zeichnen.

GREAT FREEDOM and QUO VADIS, AIDA? recommended for EFA

Widely acclaimed by festivals and press, Sebastian Meise’s GREAT FREEDOM and
Jasmila Zbanic’s QUO VADIS AIDA have entered the race for the European Film Award 2021: 4000 members of the European Film Academy are now invited to vote among 53 entries for the nominations in the following categories: European film, director, screenwriter, actress and actor. Nominations will be announced on November 9, 2021.

Deutscher Schauspielpreis to Maria Hofstätter

The German Actors Association gave away their annual awards in acknowledgement of outstanding acting performances in film and television. In the category Best Actress in a leading part, Austrian actress Maria Hofstätter receives the Deutscher Schauspielpreis 2021 for her role as the unconventional prison teacher Elisabeth Berger in Arman T. Riahi’s FOX IN A HOLE.

LUZIFER wins Boccalino d’oro

Peter Brunner’s new film LUZIFER wins the Boccalino d’oro for Best Director at the 74^th Locarno Film Festival. The Boccalino d’oro is an award given away by the Independent Critics Jury in five categories. LUZIFER starring Franz Rogowski and Susanne Jensen was produced by Vienna-based Ulrich Seidl Film Production.

INTERVIEW

«Wir sind an einem Punkt, wo alles neu gedacht werden muss.»

Michaela hat dem Haus ihrer Kindheit seit langem den Rücken gekehrt und eine eigene Familie gegründet. Nach dem Tod ihres Vaters hat sie aber keine Wahl. Sie muss zurück an den Ort unliebsamer Erlebnisse. Begleitet wird sie von ihrer achtjährigen Tochter Hanna, die wie ein Spiegel verdrängte Erinnerungen an die Oberfläche holt und ihre Mutter dazu bringt, sich endlich einem blinden Fleck in ihrer Geschichte zu stellen. HEIMSUCHUNG ist Achmed Abdel-Salams Regiedebüt sowie für Produzentin Lena Weiss und ihre Produktionsfirma Glitter & Doom der erste abendfüllende Spielfilm, der zugleich als Pilotprojet für Green Producing neues und nachhaltiges Denken im Filmschaffen einleiten soll.

HINTERLAND wins Piazza Grande Audience Award

Stefan Ruzowitzky’s gripping thriller set in Vienna in the aftermath of WW 1 has struck the largest jury of all.The latest work of the Austrian Oscar-winning director took the Prix du public UBS. After a triumphant Piazza Grande premiere, the picture is sure to make a name for itself among cinephiles and genre enthusiasts on an international scale, thanks to excellent performances, tight editing, and Benedict Neuenfels’ stunning cinematography, which gives the film an unnatural sheen while simultaneously highlighting the stark reality of a war-torn country for 99 very tense minutes. Max Borg, www.pardo.com

GREAT FREEDOM wins three awards at Sarajevo

The Sarajevo Heart beats in favor of GREAT FREEDOM: The Cannes winner (Jury Award Un Certain Regard) directed by Sebastian Meise, produced by FreibeuterFilm returns from the 27^th Sarajevo Film Festival with no less than three awards in its pockets:

Heart of Sarajevo for Best Feature Film
Heart of Sarajevo for Best Actor Georg Friedrich
CICAE Arthouse Cinema Award

Andreas Horvath is mentor of the efp Future Frames session 2021

Austrian director Andreas Horvath is this year’s mentor at the efp Future Frames meeting for young talents at the Karlovy Vary Film Festival. The director of Lilian (Cannes, Director’s Fortnight 2019), Earth’s Golden Playground and This Ain’t No Heartland will hold a master class and give insight into his cinematic approach and visual language.

Screen Daily on HINTERLAND: «The Third Man meets Se7en»

Screen Daily critic Neil Young wrote, “The film imaginatively deploys green-screen technology to conjure off-kilter visions of the Austrian capital a century ago.(…) HINTERLAND successfully avoids being swallowed up by its own aesthetic via the narrative’s propulsive momentum and the magnetic central performance by Murathan Muslu.”

INTERVIEW

«The whole world was out of line»

Stefan Ruzowitzky

Peter Perg’s world has become completely out of line. In 1914, when he left to fight in the First World War, full of optimism, it was for his Emperor… But when he returns from prisoner of war camp several years after the war finishes with a handful of his men, it is to discover that only a fraction of the former Austro-Hungarian Empire now calls itself Austria. Stefan Ruzowitzky filmed his actors for HINTERLAND using blue screen technology. The dark lanes, the façades and structures of desolate Vienna which appears completely out of line were all created on the computer, providing a grim background to the hunt for an obsessed serial killer.

INTERVIEW

«It’s the film of a life, with an open ending.»

Marko Doringer

Marko Doringer is a doubter. The title of his latest film, SECOND THOUGHTS FIRST, could hardly make that more explicit. Artistic career, relationship, fatherhood: he likes to weigh up the pros and cons about the really big issues for a long time, and that generates a film. What he began as a 30-year-old filmmaker with Half the Time of my Life he continues now that he is in his mid-40s, interweaving his own vacillations with the lifestyle adopted by some of his contemporaries. SECOND THOUGHTS FIRST takes a close look at the balancing act between work and family.

INTERVIEW

«He is the last and the first who speaks his language.»

Peter Brunner

Johannes lives with his deeply religious mother in an Alpine hut surrounded by nature, close to God but far from the despised people down in the valley. A young man with the mind of a child, he can barely master the spoken word and is unconditionally tied to his mother, who has attempted to protect him by defining the world in simple terms as consisting of God and the forces of evil. Peter Brunner is a filmmaker who explores in images the rifts within his characters. In LUZIFER he brings about a collision between fanaticism and freedom which is a depiction of blind faith and its misunderstandings. LUZIFER, featuring Franz Rogowski and Susanne Jensen in the main roles, has been made by Ulrich Seidl Filmproduktion.

KARINA RESSLER is member of the Locarno First Film Jury

As an important place for young talent and discoveries, every year the Locarno Film Festival invites a jury composed of three personalities from the world of cinema to award the best first films presented as international or world premieres in all the sections (except Semaine de la Critique and Panorama Suisse).This year it's up to Austrian editor Karina Ressler, director and producer Amjad Abu Alala and filmmaker Katharina Wyss to judge the first time entries at the Locarno festvial.

GREAT FREEDOM wins Jury Prize at Un Certain Regard

Sebastian Meise returns from Cannes with one of the top awards of the Un Certain Regard section. The jury under the presidency of Andrea Arnold awarded Sebastian Meise’s captivating drama GREAT FREEDOM with the Jury Prize. This second feature film starring Franz Rogowski and Georg Friedrich, produced by Austrian FreibeuterFilm and German Rohfilm Productions, was one of 20 contenders in a line-up that refocused on the discovery of emerging filmmakers this year.

THR on GREAT FREEDOM: «Stark, shocking and beautiful.»

The Hollywood Reporter critic David Rooney wrote, Chronicling an ignominious chapter in queer history, Great Freedom is also a contemplative psychological study of the effects of incarceration, and beyond that, an unconventional love story, tender but unsentimental. read more

LOCARNO 2021 with new films from Stefan Ruzowitzky and Peter Brunner

The 74^th Locarno Festival (August 4 to 14) has announced its selection that includes two new films from Austria. Stefan Ruzowitzky will present HINTERLAND on the Piazza Grande, Peter Brunner’s LUZIFER is a contender in the main competition for the Pardo d’oro 2021. The Swiss, German and Austrian co-production MONTE VERITÀ will also celebrate its world premiere on the Piazza Grande.

MUBI signs multi-territory deal for GREAT FREEDOM

Streamer and theatrical distributor MUBI has signed a multi-territory deal for Sebastian Meise’s second feature GREAT FREEDOM, which premiered in Cannes' Un Certain Regard. The deal closed with sales outfit The Match Factory covers North America, UK, Ireland, LATAM (excluding Mexico), Turkey and India.

JESSICA HAUSNER is part of the jury of the 74^thCANNES festival

Together with jury president Spike Lee, five women and 3 men of seven nationalities, coming from five continents, will judge the 24 films of the 2021 international Competition and award the PALME D’OR 2021.

INTERVIEW

«Imagine you live in a world where love is forbidden by law.»

Sebastian Meise

When the state dictates which love is allowed to exist, it puts lives at stake. As a gay man Hans Hoffman is thrown into a concentration camp under the Nazis; immediately after being liberated by the Allies he is put back behind bars, because the passion in his heart is against the law. Both in the Nazi dictatorship and also in the democracy which follows. Sebastian Meise’s GREAT FREEDOM casts a subtle light on elements of society (and of societies) which are still concealed. His protagonist Hans represents countless lives which were destroyed because regimes abused one of the most fundamental human rights by means of social discrimination and legal persecution – and, in too many cases, this is still happening.

INTERVIEW

«Like an extended prison.»

By the middle of March only 21 of the scheduled 32 shooting days for Sebastian Meise’s second feature film GREAT FREEDOM Freedom, with Georg Friedrich and Franz Rogowski in the leading roles, were in the can when everything was shut down. But at the end of June FreibeuterFilm was the first production company to resume filming, and they finished the shoot. A conversation with the producers about their current feature film GREAT FREEDOM, Stefan Ruzowitzky’s HINTERLAND and the new approach to production, in zones and on Zoom.

INTERVIEW

«In capitalism everything becomes a commodity: a person’s lifetime, his body, his being.»

C.B. Yi

Fei is a boy from the countryside. At some point he is drawn to the city, or financial necessity forces him to make the move. His family is only too happy to accept the good money he earns as a male prostitute, but by taking this step he has sacrificed his place in the village and in the family. C.B. Yi, in his feature film debut MONEYBOYS, depicts the desolation of not only one young man but a whole generation which can all too easily find itself in a dead end between the financial and moral pressures exerted by society.

Cannes 2021: GREAT FREEDOM and MONEYBOYS at Un Certain Regard

The Cannes Festival – this year scheduled for a summer edition from July 6 to 17 – has announced its Official Selection 2021: We are thrilled to announce that two Austrian co-productions will be part of the Un Certain Regard selection 2021: GREAT FREEDOM by Sebastian Meise and MONEYBOYS by C. B. Yi.
Lukas Valenta Rinner’s new project LANDSCAPES OF FEAR is invited to the Cinéfondation’s L’Atelier, Magdalena Lauritsch’s (not yet finished) debut RUBIKON is one of the seven genre films picked for the Frontières Buyers Showcase at the Marché du Film.

INTERVIEW

«He was a memory worker. Day and night.»

Marko Feingold (1913 – 2019) was arrested soon after the Nazis seized power and survived six years during the reign of terror in various concentration camps. After the liberation he built up a new existence for himself in Austria, and throughout his long life he never tired of raising his voice to warn against forgetting or denying that period. At the age of 105 he gave an exclusive interview to the filmmakers Christian Krönes, Florian Weigensamer, Christian Kermer and Roland Schrotthofer; in the documentary film A JEWISH LIFE his fearless determination to fight on and survive refuses to be silenced.

Screen International on SNOTTY BOY: «Meticulous and witty»

Here are the first press reviews on SNOTTY BOY after its world premiere at the Annecy Festival.
Screen International: meticulously and wittily detailed and like Deix himself, confrontationally iconoclastic, fearlessly tackling religious and social mores, and skewering hypocrisy and bigotry.
Deadline: an affectionate, playful homage to Deix

INTERVIEW

«Poetic, cheeky, bawdy and surprising.»

Marcus H. Rosenmüller

Caricaturist Manfred Deix had an unrelenting view of his compatriots: portly and deformed in stature, lecherous, reactionary and hostile to foreigners in manner: thus the Deixian depiction of the average Austrian is preserved in countless publications. Deix’s provincial childhood in the Lower Austria of the 1950s and 60s may have provided the first impulses for his drawings; it has certainly proved inspirational for the first full-length Austrian animation film, directed by Marcus H. Rosenmüller und Santiago López Jover. SNOTTY BOY borrows the spirit and silhouettes from Deix’s cosmos of characters, portraying with humor and a light touch the confines of an era which resonates down to the present day in terms of certain political attitudes.

INTERVIEW

«My first impression was definitely a shock.»

Santiago López Jover

SNOTTY BOY, Austria’s first feature length animation film, borrows the spirit and silhouettes from the unique cosmos created by late Austrian caricaturist Manfred Deix. Santiago López Jover co-directed the film together with Marcus H. Rosenmüller, adding his profound experience as animation artist to an ambitious project which respectfully translates the essence of the legendary cartoons.

INTERVIEW

«In vielerlei Hinsicht zwischen den Welten.»

Wenn sie arbeitet, tut Mira das in den Weinbergen ihrer Familie. Wenn sie frei hat, dann gehört ihre Zeit dem Eishockeysport, für den sie intensiv trainiert und sich als Kapitänin ihres Teams voll einsetzt. Mira, die Protagonistin von WENN WIR DIE REGELN BRECHEN, ist eine eigenwillige junge Frau, die wie am Eis zwischen ihren Welten gleitet, sich verliert und wiederfindet. Clara Sterns Spielfilmdebüt wurde im Frühling 2021 abgedreht.

SNOTTY BOY, the first Austrian feature-length animation film, premieres at Annecy

It's an absolute first: SNOTTY BOY, inspired by characters created by late Austrian caricaturist Manfred Deix, is the first feature length animation film produced with an Austrian funding majority. Which makes us all the more proud to announce that SNOTTY BOY has been selected to celebrate its world premiere in the main competition of the top-notch festival for animated films the Annecy International Animation Film Festival.

INTERVIEW

«Schau, ein Deix.»

Es war ein Sprung ins kalte Wasser. Ein Animationsfilm in der Länge eines Kinofilms war zuvor noch keiner in Österreich entstanden. Ästhetik und Spirit der Karikaturen des österreichischen Unikums Manfred Deix einer filmischen Erzählung zugrunde zu legen, war eine gewagte Idee. Der Mut zum Pioniergeist hat sich gelohnt. Produzent Josef Aichholzer über eine lange Reise mit dem österreichischen Animationserstling ROTZBUB, der mit der Weltpremiere beim renommierten Festival von Annecy seine ersten Lorbeeren erntet.

Anne Laurent-Delage to be new Executive Director of the AFC

The board of the Austrian Film Commission has resolved unanimously that the Deputy Director of the AFC, Anne Laurent-Delage, who has been responsible for international relations for many years, will take the position of Executive Director from 1 July 2021.

INTERVIEW

«Jede Generation wird ihre eigene Erzählung brauchen.»

Österreich galt nach dem Zweiten Weltkrieg als Opfer der nationalsozialistischen Aggression und verfügt daher auch über einen nationalen Gedenkpavillon in Auschwitz. Seine aktuelle Neugestaltung wirft Fragen zur Ambivalenz zwischen kollektiver und individueller Geschichtsdarstellung auf: Fabian Eder geht in seinem Dokumentarfilm DER SCHÖNSTE TAG Konzepten der Erinnerungsarbeit auf die Spur und erzeugt mit Dialogen zwischen Zeitzeug*innen und ihrer Enkelgeneration ein interessantes Spannungsfeld zwischen offiziellem Gedenken und privatem Erleben.

INTERVIEW

«Where are we all going?»

Jasmila Žbanić

Aida is running. Racing desperately, helplessly between the central offices of the Crisis Unit at the UN safe area and the perimeter fence, which is secured by armed soldiers. As a local interpreter, can she possibly do anything to help the inhabitants of her home town? Get her own family in saftety? Rescue at least one of her sons? In her film QUO VADIS, AIDA? Jasmila Žbanić has captured the harrowing events of the Srebrenica massacre in 11 July 1995 with compelling immediacy, earning her an Oscar nomination for Best International Feature and the Independent Spirit Award.

Deutscher Kamerapreis to Christine A. Maier

Austrian DoP Christine A. Maier wins the Deutscher Kamerapreis in the category fiction film for her outstanding work in Jasmila Žbanić’ Oscar nominated QUO VADIS, AIDA? Christine A. Maier's camera moves with the action, it races, pauses (…), opens spaces, looks, looks away, it captures emotions and creates understanding and comprehension, stated the jury.

INTERVIEW

«An adventure film with a scary factor.»

Daniel Geronimo Prochaska

It’s a daring step for Sabine and her two sons, Hendrik and Eddie, moving from northern Germany to a village in the southernmost corner of Austria to begin a new life after the death of her husband. When their new house in Carinthia starts to display signs that invisible forces are at work, the boys find two courageous kids their own age in the village, and the gang of four set about exposing mysteries that have been hidden for years. THE SCARY HOUSE is Daniel Prochaska’s cinema debut, a striking bid to initiate younger audiences into horror movies with a light-hearted touch.

INTERVIEW

«He is the person he wants to be.»

Harald Aue

It isn’t so often that a person establishes a circus the size of Roncalli without having grown up in the milieu of artistes and acrobats. The personal union of Zippo the Clown and Bernhard Paul the director has determined the identity of this circus for decades: an arena which provides a very special stage for the artistry of the clown, both serious and rib-tickling. In his documentary film A CLOWN, A LIFE Harald Aue focuses on Bernhard Paul both with and without the face of a clown: the circus-maker, the collector of old bric-a-brac, and the boy who always remained true to his childhood dreams.

PLEASE HOLD THE LINE wins FIPRESCI Prize

Pavel Cuzuioc’s second feature documentary pointed out by the film critics: PLEASE HOLD THE LINE wins the FIPRESCI Prize at the goEAST Festival of Central and Eastern European Film. “The film shows”, stated the jury, “intense human relationships that normally appear to be simple everyday interactions.”

Independent Spirit Award to QUO VADIS, AIDA?

Jasmila Žbanić QUO VADIS, AIDA? picked up the Independent Spirit Award in the Best International Film category. The annual Independent Spirit Awards ceremony traditionally held shortly before the Oscars, honors outstanding achievements in independent filmmaking. QUO VADIS, AIDA?, one of the five 2021 Oscar nominees for Best International Feature Film, was co-produced by Vienna-based coop99 filmproduktion.

52^ndVisions du Réel with world premieres of SOLDIER AHMET and THE BUBBLE

The 52^ndVisions du Réel Festival at the Swiss town of Nyon kicks off its second “Corona” edition offering a hybrid festival format from April 15 to 25, 2021. Two Austrian (co-)productions are to celebrate their world premiere: Jannis Lenz presents his first feature SOLDIER AHMET within the Burning Lights Competition, the Swiss-Austrian co-production THE BUBBLE by Austrian director Valerie Blankenbyl is a contender in the International Competition.

INTERVIEW

«Ahmet’s search for tears»

Jannis Lenz

Ahmet Simsek has lived his life in Austria since childhood. As a medic in the Austrian army, state champion in boxing, son of a Turkish-Muslim family in Vienna, he could be tagged with several labels at once. But Jannis Lenz goes against common expectations: in his portrait SOLDIER AHMET he follows a multitalented young man who hasn't cried since he was twelve and had to learn early on to craft his own place.

INTERVIEW

«There is a lot at stake.»

He rejected both the ideal line and the latest ski technology, but when Franz Klammer completed his stunning run down Mount Patscherkofel in less than two minutes he made Austrian sporting history. Elisabeth and Andreas Schmied are too young to have experienced this moment in person, but they certainly appreciate the fascination of the Klammer phenomenon. Together they wrote the screenplay for CHASING THE LINE, which focuses on the few days before the legendary Olympic event. In Andreas Schmied’s sixth cinema film he studies the man and myth that is Franz Klammer and hauls a moment of collective joy back into the present.

INTERVIEW

«Ich würde mir für die Zukunft hybride Lösungen wünschen.»

Es sind nicht mehr als fünf bis acht Filme, um die der Katalog des kleinen, feinen Verleih & Vertriebs filmdelights jährlich wächst und die Sorgfalt in der Auswahl hat sich gelohnt. 2020, im zehnten Jahr des Bestehens von filmdelights feierten nicht nur sieben österreichische Produktionen von Filmemacherinnen ihre Premieren, es gingen die Hauptpreise der Diagonale für den jeweils besten österreichischen Spiel- und Dokumentarfilm an Arbeiten aus dem Verleih, Sabine Derflingers Portrait Die Dohnal war im schwierigen Corona-Jahr auch der erfolgreichste Dokumentarfilm an Österreichs Kinokassen. Ein Gespräch mit der Geschäftsführerin Christa Auderlitzky.

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QUO VADIS AIDA? nominated for Best International Feature Film

The Oscar race enters its last round, the nominations are out: QUO VADIS AIDA? by Jasmila Žbanić is nominated for Best International Feature Film. QUO VADIS AIDA? was co-produced by coop99 filmproduction. On top of the financial support, Austrian artists provided a major creative input with Christine A. Maier (DoP), Hannes Salat (production design), Michaela Payer (make-up/hair designer), Thomas Hollaus (gaffer), Edita Malovcic in the role of Vesna and many more.

INTERVIEW

«Nobody could get away from that»

July 1995, Srebrenica. General Mladic sweeps to power, the UN mission fails miserably, the Bosnian population is massacred. UN interpreter Aïda is obliged to watch helplessly as a tragedy of unimaginable proportions befalls the city and her family within one day. Filmmaker Jasmila Žbanić, originally from Bosnia, plunges into the epicentre of this crime against humanity in QUO VADIS, AÏDA?, 25 years after the mass murder at Srebrenica, when betrayal and failure led to the deaths of thousands of people. She depicts the terrible force of the collective drama as it strikes each individual character in the film. Vienna-based coop99 filmproduktion is one of the international co-producers on this project, which will be among the 18 competitors for the Golden Lion at the 77^thVenice Film Festival. A conversation with the DoP of QUO VADIS, AÏDA?, Christine A. Maier.

Austrian films at the EFM online

The BERLINALE Industry Event 2021 gathers film professionals around the world online and opens its virtual European Film Market.
Eight Austrian films are booked on EFM screens: AUSTRIA2AUSTRALIA by Andreas Buciuman, Dominik Bochis |DAVOS by Daniel Hoesl, Julia Niemann | FOX IN A HOLE by Arman T. Riahi | GLORY TO THE QUEEN by Tatia Skhirtladze, Anna Khazaradze | PLEASE HOLD THE LINE by Pavel Cuzuioc | RISKS AND SIDE EFFECTS by Michael Kreihsl | THE MOST BEAUTIFUL PLACE ON EARTH by Elke Groen | WHY NOT YOU by Evi Romen

Goodbye, Peter Patzak

We are deeply sad to learn that Austrian filmmaker and painter Peter Patzak has passed away. Peter Patzak (1945-2021) made Austrian TV history by creating the legendary satirical crime series Kottan ermittelt (1976-84) together with author Helmut Zenker. He was a prolific director working for both TV and cinema, first achieving international acclaim with Kassbach at the Berlinale 1979. From 1993 to 2003 he also was professor of Directing at the Film Academy Vienna.

INTERVIEW

«Stories that should be told»

Tatia Skhirtladze

They were born within the same generation and came from the same city. They were virtually neighbours, sometimes colleagues and sometimes rivals, but above all: in the 1970s and 80s they were the queens of international women’s chess. The Georgian women Nona Gaprindashvili, Nana Alexandria, Maia Chiburdanidze and Nana Ioseliani were dominant at the very peak of female chess for almost 30 years and also challenged the elite male players. In Georgia they were national heroines, but in the West – outside specialist circles – they are almost completely unknown. Filmmaker Tatia Skhirtladze, whose home is Vienna, plans to change all this with GLORY TO THE QUEEN.

The Industry Event of the 71^stBerlinale is taking place from March 1 to 5, 2021. Eight Austrian films are available in the virtual cinemas of the European Film Market: AUSTRIA2AUSTRALIA · DAVOS · FOX IN A HOLE · GLORY TO THE QUEEN · PLEASE HOLD THE LINE · RISKS AND SIDE EFFECTS · THE MOST BEAUTIFUL PLACE ON EARTH · WHY NOT YOU
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